Some of you will remember CMT's review of Colorado-based The BRKN's song "Lost Boy..." It seemed like a good time to take a closer look at the EP from which that song comes. The eight tracks on "Come Outside" represent a fun and catchy, but somehow still cerebral approach to rock music.
The album opens up with "Calm Down" which features funky rhythm guitars and a squealing synth sound. The energetic and upbeat energy is a perfect overture for the following seven tracks. Just like on "Lost Boy," I appreciate the balance between punk and pop vocals.
"Therapy Session" opens with an FM-sounding electric piano sound followed by the signature distorted guitar. The verses interject between riffs and pulsating instrumental phrases. The backup vocals are a real treat as well, it's like, we're really good at this musicianship stuff, but we don't take ourselves too seriously either.
Track three on the album is "Be Cool." It's a swinging soundscape of synth pads and guitar grooves. While I'm loving the youthful brashness, there is part of me that's kind of hoping for a ballad at some point - but perhaps that's just my age showing.
We've already discussed "Lost Boy in a previous blog, so, I won't bring that up much now - but please check out that review if you're curious (it also has the music video - so, you're welcome). Instead, let's go to track five, "Lying All The Time." From the outset of the thundering drums and high-pitched guitar ostinatos, I thought immediately "At The Drive-In" (a la "In Casino/Out" era). As cool as the groove is, the song tends to rely on the band's biggest asset, which of course, are the vocals of their lead singer.
"Fake Love" is a funky interjection on this EP. The song has a very sexy vibe, that if it were a bit grittier could almost sound like an homage to NIN's "Closer." There is a bit more of a studio sheen with this track but features the same skill that I've been gushing over since I discovered this band.
When looking at track number seven, "Marilyn," there was part of me that was hoping "...Manson?" And who knows for sure, but the abrasive and dissonant chords that flow in and out of the track make me think that these gentlemen may have enjoyed some industrial music at some point in their lives. Again, the song seems pretty party-oriented.
Finally "Lovers" rounds out the album. We're back with the electric piano with some noodling on a high guitar. This one is a slightly slower and swinging vocal song for the first minute or so. This song really shows an intimacy that I knew these guys were capable of... It's nice to see (or rather, hear) their softer side.
On a final note - The BRKN is hands down one of the best new acts I've come across in a long time. If you're planning a summer drive, then I would say "Come Outside" ought to be top on your rotation. If they were ever asking my advice, I would offer that they consider more songs along the "Lovers" route, but as they are, they are absolutely worth the time and money it take to enjoy them.
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